Probably incomplete list of Sue Sylvester’s tracksuit styles
- red with white stripes
- blue with white stripes
- black with white stripes
- white with black stripes and inside collar
- pink with white stripes
- black with yellow stripes
- black with pink stripes (including horizontal stripes on chest)
- blue with bright blue stripes
- blue with yellow stripes
- sky blue with dark blue stripes and inside collar
- teal with white stripes
- teal with white stripes and horizontal across chest
- bright blue with white stripes
- black with no stripes, but white inside collar
- black with white piping
- black with bright red stripes
- forest green with orange stripes
- white with red stripes and inside collar
- brown with yellow stripes
- purple/violet with sky blue stripes
In what may turn out to be the most stupid move in Survivor history, JT, playing for the Heroes, gives Russell, playing for the Villains, a hidden immunity idol in the hope of winning his loyalty. Not only that, JT wrote a heartfelt note to Russell, which Parvati enjoyed.
Russell may be the most repulsive person ever, but he certainly makes Survivor interesting and entertaining. In his one and a half seasons on the game, he’s found four hidden idols, once without a clue, used an idol to blindside an opponent, wore an idol to tribal council and not played it, deceived people into voting for his ally so that he could play the idol in their name and win the vote, and now his enemies are crazy enough to give their own idol to him.
And Parvati is brilliant too. I really hope she wins (again).
20 April 2010 - 19:46 | Tags: survivor, tvParvati finds a hidden immunity idol. Survivor Season 20 - Heroes v Villains, Episode 9.
20 April 2010 - 19:40 | Tags: survivorBenjamin Linus: Because he’s the only one who will have me.
Ilana: I’ll have you.
11 March 2010 - 06:11 | Tags: tv, lostJohn Locke was a… believer. He was a man of faith. He was a much better man than I will ever be, and I’m very sorry I murdered him.
— Benjamin Linus - LOST Season 6 Episode 4
If I had to guess, I’d say once she became hideously popular Gaga was able to take more control of her career, the early result being “Bad Romance”, arguably the best pop single and best pop video of 2009. And the video is part of the package: Like Madonna or Prince, it’s impossible to separate the song from the performer. But unlike those artists, Lady Gaga isn’t particularly attractive, and she uses this to her advantage by suppressing her vanity and making herself a slippery figure. She’s still largely unknowable and also almost unrecognizable from moment to moment, as she contorts, disguises, masks and maims her face and body like a Matthew Barney or David Cronenberg creation.
Gaga comments on fame as she becomes more famous: It’s in her record titles— The Fame, The Fame Monster, “Paparazzi”, “Beautiful, Dirty, Rich”, “Starstruck”. It’s also in her wearable art, and the way she deconstructs her own look— rigid, robotic dance moves as if she’s a puppet on a string, moving in crutches after being damaged by her outsized fictional celebrity in the “Paparazzi” clip. In “Bad Romance” she alters whoever Lady Gaga the Pop Star might be into any number of female types— at times recalling Britney Spears, Madonna, an Anime character, Angelique, Christina Aguilera, and Amy Winehouse. In that sense, she’s a perfect 21st century pop icon— a regular person willing to manipulate herself into whatever it takes at any given moment to be a star.
And yet, unlike the empty famewhores climbing atop the shoulders of reality TV and tabloid journalism to notoriety, we know next to nothing about her personal life. In that sense, she’s the anti-Kanye, the anti-Eminem, and the anti-Winehouse— the twists and turns of her private life don’t inform her art. Rather, she is whoever she wants to be at any time, and her art is as much the manipulation of that image and notions of modern celebrity as it is music or fashion. And it’s refreshing to have a big pop star communicating to us from afar, like pop stars used to.
— Pitchfork’s review of Lady GaGa’s “The Fame Monster”.
Movies from 2000-2009 that I consider piles of shit
I’m sure this list will grow as I think of more, although if it remains at one movie then this is definitely the right movie.
- Gladiator
Just a man with a mind for victory and an arm like a fucking cannon. Kenny Powers - Eastbound and Down.
6 January 2010 - 20:37 | Tags: tv, eastboundanddown, kennypowers, dannymcbride, davidgordongreenMovies from 2000-2009 that I liked
In no particular order and definitely forgetting some:
- Eternal Sunshine of the Spotless Mind
- Stranger than Fiction
- Donnie Darko
- The Life Aquatic with Steve Zissou
- The Royal Tenenbaums
- The Darjeeling Limited
- There Will Be Blood
- No Country For Old Men
- Casino Royale
- Almost Famous
- In The Mood For Love
- High Fidelity
- Lord of the Rings trilogy
- Kiss Kiss Bang Bang
- Le fabuleux destin d’Amélie Poulain
- Lost in Translation
- Hot Rod
- Zoolander
- Monsoon Wedding
- Stardust
- Crouching Tiger, Hidden Dragon
- Eastern Promises
- Mulholland Drive
- Memento
- Requiem for a Dream
- Adaptation
- Kill Bill V1
- Enchanted
- Michael Clayton
- Team America: World Police
- Zodiac
- Punch-Drunk Love
- Junebug
- The Constant Gardener
- Seabiscuit
- Dancer In The Dark
- The Assassination of Jesse James by the Coward Robert Ford
- Solaris
- Pride and Prejudice
- The Aviator
- I Heart Huckabees
- The entire Bourne series
- Somersault
- Look Both Ways
- Lantana
- About a boy
- 8 femmes
- Once
- Master and Commander
- Charlie and the Chocolate Factory
- (500) Days of Summer
- The Hurt Locker
- Zombieland
- In The Loop
- Avatar
- Inglorious Basterds
- Up
- Unbreakable